Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.
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> Helma Sanders-Brahms (Director)
> Dietrich Lohmann (Director of Photography)
> Helma Sanders-Brahms (Writer)