Stanley Donen's reputation rests largely on the exuberant musicals and sophisticated entertainments that made him one of Hollywood's great cinematic stylists. Yet his later career reveals a filmmaker far more restless, adventurous, and difficult to categorize. From the irreverent fantasy of Bedazzled (1968) and the abrasiveness of Staircase (1969) to the self-reflexive nostalgia of Movie Movie (1978), and the unexpected excursions into science fiction and sexual farce, Donen continually tested the limits of his own sensibility.
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> Daniel Kremer (Director)
> Daniel Kremer (Writer)